Ama freedivers of Japan, 1950s photos

Rare photographs of Japanese pearl divers, 1950s

Fabulous photos of Japanese women abalone and oyster divers who descend to 75 feet, from the 1950s. Note long knife in her belt. "They are known as ama. Ama, meaning “sea woman”, are freedivers, women who make their living by diving to depths of up to 25 meters without using oxygen tanks or other breathing apparatus. Instead, the ama relies on their own skill and breathing techniques to propel them to the bottom of the ocean and back to the surface again while holding their breath for up to two minutes at a time.

"The history of the ama dates back at least 2000 years. There are references to the ama in famous texts such as the 8th century Man’yoshu collection of Japanese poetry and Sei Shonagon’s Pillow Book from the 10th century. The ama has also been immortalized in ukiyo-e woodblock prints from the Edo period. ...

"The widely held belief among ama divers themselves is that women are able to withstand the cold water better because of extra layers of fat on their body and are therefore able to stay in the water for long periods and collect a bigger catch. Another reason is the self-supporting nature of the profession, allowing women to live independently and foster strong communities.

"Perhaps most surprisingly, however, is the old age to which these women are able to keep diving. Most ama are elderly women (some even surpassing 90 years of age) who have practiced the art for many, many years, spending much of their life at sea.

"During the diving season, life for the ama revolves around the ama hut, or amagoya. This is the place where the divers gather in the mornings to prepare for the day, eating, chatting, and checking their equipment. After diving, they return to the hut to shower, rest and warm their bodies to recover from their day’s work.

"The atmosphere in the hut is one of relaxation and camaraderie, for six months of the year the women are free from the usual familial and social duties they are expected to perform, and they are able to connect with other women who share their love of the ocean and diving."

Japanese Folklore of the Ocean: The Ama Divers, Sea Demons, and Ise Jingu

"Ama divers are an ancient part of the Shima Peninsula, with archeological evidence of their existence dating back at least 3,000 years. They are all female, and they use no equipment to dive. Instead, they use a special breathing technique called isobue (ocean whistle) to prepare for holding their breath underwater. The average length of an ama dive is fifty seconds, known as a ‘fifty-second battle.’ There are two types of ama divers: kachido ama, who swim from the shore to shallow diving sites, and funado ama, who travel in boats to deeper diving sites. ...

"Ama harvest a variety of things including sea cucumbers, seaweed, and sea snails. But the abalone which they catch in the summer is the most significant. Aside from being a valuable source of food and profit, abalone also have a spiritual connection with Ise Jingu. It is believed that eating abalone contributes to longevity and youth, and therefore the deities favour them. Three times a year, ama give food offerings called shinsen to Ise Jingu. These shinsen are composed of noshiawabi, which are dried strips of abalone meat held together with straw. The abalone for the shinsen are caught as part of Shinto rituals to pray for a safe and abundant diving season. The largest of these rituals is called Mikazuki Shinji, and takes place in the town of Kuzaki every June. Many local people volunteer to help make the noshiawabi at this time.

"It is believed that Ise Jingu was established around 2,000 years ago by Yamatohime-no-Mikoto, the daughter of Emperor Suinin. She was tasked with finding a suitable place to hold ceremonies to worship Amaterasu, the Shinto goddess of the sun and the universe. Shinto has a lot of deities, but Amaterasu is one of the most important (because y’know, the sun and the universe are rather vital to life after all!) After many years of searching, Yamatohime-no-Mikoto arrived in Ise. She felt the presence of Amaterasu, who spoke to her and said she wanted to live forever in Ise near the mountains and the sea. Happy to oblige, Yamatohime-no-Mikoto established Naiku, the Inner Shrine of Ise Jingu, in that exact spot. Naiku is dedicated to Amaterasu, and she is believed to live there enshrined in her own special quarters. A short distance away is Geku, the Outer Shrine, which is dedicated to Toyouke, the god of agriculture. Every twenty years, the entirety of Ise Jingu is demolished and rebuilt as a homage to the Shinto beliefs in death, renewal, and the impermanence of life. Once it is rebuilt, special ceremonies are held to move Amaterasu and Toyouke into their new homes.

"According to legend, after establishing Ise Jingu Yamatohime-no-Mikoto visited the Shima Peninsula and ate some abalone which was caught by an ama woman named Oben. Yamato-hime-no-Mikoto was so thrilled by the flavour of the abalone that she requested Oben provide offerings of them to Ise Jingu. Oben agreed, and ever since then that is what has been done.

"The soft, guarding presence of Ise Jingu hangs over Mie. Forgetting the hundreds of subsidiary shrines dotted around and the rustic straw rope and shide adorning thresholds, the same calm energy I felt when visiting Ise Jingu seems to be everywhere. Whether you believe that Amaterasu lives there or not, it is undeniable that it holds some kind of otherworldly power.

"The ocean is a mysterious place, and there are many malevolent creatures said to lurk beneath the waves, ready to prey upon unsuspecting ama. One of the most feared is the tomokazuki. This sea demon takes on the appearance of an ama diver, and materialises before a real ama and attempts to lure them closer by offering abalone. If the ama accepts, the tomokazuki leads them deep into the ocean and drowns them. It is also believed by some that tomokazuki are the spirits of drowned ama. The other sea demon which is said to target ama is the shiri-koboshi, a monster which attacks its prey by pulling their insides out of their anus. Nasty!

To protect themselves from these supernatural evils, ama divers mark their diving clothes and tools with symbols called seiman and doman. Traditionally this was done with black sewing thread or purple shell dye, but the ama divers I saw had etched them onto their floats with what looked like black marker pen. Moving with the times! The seiman is a 5-pointed star drawn with a single stroke, so there are no gaps for evil to enter. The doman is a lattice made up of 5 horizontal lines and 4 vertical lines. The spaces between the lines represent many eyes watching out for evil, and the complex structure means there is no clear entrance for evil to get in. If an ama diver is seen in the ocean without the seiman and doman, then she is a tomokazuki.

"As well as using the seiman and doman, ama women also perform a small protection ritual before diving. This involves filling their mouths with sea water and tapping the edge of their boat (funado ama) or the rim of their bucket (kachido ama) with their abalone chisels whilst chanting a ‘chu chu’ sound. This ritual is called ‘cried mice.’

"The ocean is also home to benevolent creatures. Another folk tale tells of an ama who was invited to visit Ryugu-jo, the palace of the ocean Dragon King Ryujin. Whilst there, the ama was given a casket of treasure by Otohime (‘hime’ means ‘princess’ in Japanese, so Princess Oto). In Shinto, Ryujin is a god of the ocean revered for his wisdom. It is said that people who drown in the sea live on with him in Ryugu-jo.

"Otohime also appears in the Japanese folk tale “Urashima Taro,” which is accredited as being the oldest story in the world involving time travel. Similar to the ama story, a man called Taro is invited to visit Ryugu-jo. He stays there for three days, and before returning to land he is given a magical box by Otohime. She tells him not to open it, but of course he does. At the surface, he discovers the real amount of time he spent beneath the sea was 300 years, so he is now in the future and his mother is gone. Grief-stricken, Taro opens the box. Instantly he transforms into an old man, because the box contained his old age."

Katsushika Hokusai: "Abalone Fisherwomen," 1835

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